From Tintoretto to Tiepolo
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From Tintoretto to Tiepolo summer exhibition, 10 June-29 August 1980 by Heim Gallery.

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Published by The Gallery in London .
Written in English


  • Art, Italian -- 16th century -- Exhibitions.,
  • Art, Italian -- 17th century -- Exhibitions.,
  • Art, Italian -- 18th century -- Exhibitions.

Book details:

Edition Notes

Other titlesTintoretto to Tiepolo.
StatementHeim Gallery (London) Ltd.
SeriesHeim exhibition catalogues ;, no. 33
LC ClassificationsN8640 .H4 no. 33, N6915 .H4 no. 33
The Physical Object
Pagination[88] p. :
Number of Pages88
ID Numbers
Open LibraryOL3799237M
LC Control Number81103235

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  For Proust, Tiepolo was first and foremost Odette’s robes. In the eyes of this very young and stubborn worshipper, none of the outfits with which Madame Swann appeared in society were remotely comparable to the “marvelous robe in crepe de Chine or silk, old rose, cherry, Tiepolo pink, white, mauve, green, red, yellow, plain or patterned, with which Madame Swann had eaten breakfast and was Tintoretto, byname of Jacopo Robusti, (born c. , Venice [Italy]—died , Venice), great Italian Mannerist painter of the Venetian school and one of the most important artists of the late paintings include Vulcan Surprising Venus and Mars (c. ), the Mannerist Christ and the Adulteress (c. –48), and his masterpiece of –94, the Last Supper of San Tintoretto's ability to collapse emotional and physical barriers between the viewer and the viewed put the painter at odds with the established decorum of Renaissance idealism, immediately setting this Venetian School artist apart from the vast majority of his peers. His agitated brushwork set the stage for the succeeding generations of artists who would build on his legacy of artistic   An impressive overview of drawing in Venice, from the time of Titian and Tintoretto to that of Canaletto and Tiepolo From the time of Titian and?Tintoretto to that of Canaletto and Tiepolo, drawing?was an important?part of artistic?practice and was?highly valued in ://

Condition: Good. This is an ex-library book and may have the usual library/used-book markings book has hardback covers. In good all round condition. Dust Jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,grams, ISBN Seller Inventory #   His book Nuns and Reform Art in Early Modern Venice. The architecture of Santi Cosma e Damiano and its Decoration from Tintoretto to Tiepolo appeared in In addition, he has published an edited volume on the crisis in late sixteenth-century Venice (Celebrazione e ://   Tiepolo's visual art is a sketch of a world we cannot see, an oracular glimpse of an atmosphere that teems with beings whose "spiritual power" Decorated by Giovanni Buonconsiglio, Jacopo Tintoretto, Palma il Giovane, Sebastiano Ricci and Giambattista Tiepolo, the church of the former Benedictine female monastery Santi Cosma e Damiano occupies an outstanding position in Venice. The author of this study argues that from its foundation in to its dissolution in , Santi Cosma e Damiano was a reform convent, and that its nuns /Paul/p/book/